Skip to main content

Cool Blue (1990) - ★☆☆☆☆

What's the point of this movie? Is it supposed to be a rom-com? There's romance (I guess, but not enough to qualify it as a simple romance), but it's not funny. Is it a mystery? Maybe, but the mysteries never really get solved, nor are they ever fully articulated. Is it a drama? I'm pretty sure dramas are supposed to be interesting, at the very least. I'm not saying every movie has to fit into a specific category—far from it! But they should, at least, have some sense to them, especially if they're going to be so ill-defined as this one. 


Cool Blue started out strong—a fun scene with Woody shoplifting a convenience shop (good old fashioned fun). Shortly thereafter, it's revealed that Woody's character, Dustin, is an artist (as confirmed by his paint stained jeans). This is exciting! A fresh new role for Woody to take on. 

But then the movie enters a speedy downward spiral. He sees a woman at an art gallery, spends one night with her, and falls so madly in love (obsession?) with her that he creates what looks like scores of paintings just of her. It's obvious we're supposed to see why he likes her so much—she wears a baggy white blouse, sits on the floor to eat Chinese food, and puts on lopsided blue sunglasses to make a Picasso joke—she's cool, quirky, and altogether Not Like Other Girls. 

And, oh, I forgot—she's also Mysterious!

We know she's Mysterious from the first time we see her, because she has a red scarf tied to the strap of her bag. Then, we find out her name is Christiane, which only enhances the mystery! What the heck kind of name is that?? Then, we find out she's married! Then, we find out she hates her husband! Then, we find out she hangs out in a model apartment without the landlord's permission. Then, we find out she has a little sister. Then, the little sister tells us she's not allowed to talk about Christiane! Then, after Christiane finds out Dustin had been obsessively painting her for months, after she throws a bucket of blue paint on him, and after they make up, she tells him to meet her at a museum—mysterious behavior at its finest, folks!

The annoying thing is that none of this stuff about Christiane is ever resolved, unless I'm meant to believe that she's mysterious because she has an abusive husband and ran away from her family. That's not really mysterious, though, so I'm just not quite sure why the movie tries so hard to make the viewer understand her that way. 

I have to be honest—I'm pretty disappointed in this movie! It's one of Woody's very earliest acting credits, so I wanted it to be a good one. I guess it just shows how far he's come. 


Comments

Popular posts from this blog

No Country For Old Men (2007) - ★★★★☆

I think it's interesting that this, the second movie I've viewed on this grand adventure with a motif of tube-related crime, is called 'No Country For Old Men,' because something I noticed while watching it was that there were actually a couple old men in it, and they don't even die. I think that some would have me believe it is called this because it is a line from a famous poem, and is a reference to the disillusionment Sheriff Ed Tom Bell (an old man) feels with these modern times.... kids have green hair and nose piercings, and guys do violence with tubes. He probably feels like he doesn't belong in Texas anymore because of all these crazy kids and their newfangled violence, thus making the country not one which is for an old man. Nonetheless, he's there, and time sort of goes on no matter what, and things have always been bad in one way or another. He should probably get over it. That being said, I have a few ideas of other names this movie (yeah, I kno...

The Hi-Lo Country (1998) - ★★★★★

A shockingly underrated and under-talked about Woody Harrelson masterpiece. Reminsicent of the classic Marty Robbins banger, "Tall Handsome Stranger," this is a must watch for cowboy fans and Woody Harrelson fans alike. Unequivocally Woody's best cowboy role!!!!!

The Big White (2005) - ★★★☆☆

It is, perhaps, a little-known fact that a movie only needs exactly one (1) ingredient to be a good movie. That ingredient is not a good director (what even is a director? The guy who clacks the black and white thing and shouts "action!"?). That ingredient is not beautiful cinematography (though The Big White  has no shortage of that. I really liked the vast snowy landscapes and also the matching snowy whiteness of the insurance office, especially since it was snowing outside my window while I watched this movie and I guess that just felt serendipitous). That ingredient is not an incredible and talented cast—something I think everyone agree this movie has (Robin Williams, yes, but also  this guy , who looks like Pete "Mad Men" Campbell, but isn't. I like him a lot and would like to see more of him!). That ingredient is not even—dare I say it?—Woody Harrelson. Many a movie, in fact, as this blog evidences, is very bad in spite of Woody's wonderful presence. ...